Category archives for photographs
What [Adorno and Horkheimer] championed was neither high art or low culture, but art that exposed the contradictions of capitalist society rather than smoothing them over — in short, modernist art.
— Stuart Jeffries in Grand Hotel Abyss
This semester I’ve been thinking a lot about preaching and what it is. It is not primarily art and it’s not all about capitalism and society, but still — exposing the contradictions, crossing high and low; I would be very, very proud to be called a modernist preacher.
Mechtilde of Hackeborn (died 1299) heard these words from the Lord:
“I tell you the truth that I am very pleased when men trustingly expect great things from me. For everyone who believes that I will reward him after this life with more than he deserves, and who correspondingly gives praise and thanks to me in this life, will be so welcome to me thatI will reward him with far more than he could ever believe or boldly hope for, in fact, with endlessly more than he deserves. For it is impossible that someone should not attain what he has believed and hoped. . . . With confident hope you should believe that I will receive you, after your death, as a farther receives his dearest son. . . . I whom am faithfulness itself am incapable of misleading my friends through any sort of deceit.”
As quoted by Hans Urs von Balthasar in Dare We Hope That All Men Be Saved?
I believe one of the most basic acts of love is just to keep showing up, always and unconditionally. Sometimes the best you can do is to let somebody know they are loved, not alone, and not forgotten.
— Joe Callander in the NYT
A couple sentences which struck me today. I believe vehemently that they’re true.
Let’s just propose a definition for “hipster,” shall we? Quit slinking around and say —
Today, hipsters are people who are interested in food; design, particularly Scandinavian and American mid-century styles; and processes of creation. The latter interest tends to spur a desire for purity, or “authenticity,” and hence an idealization of travel, the outdoors, and by-hand, or “artisanal,” production.
There. Done. It’s the Romanticism of the twenty-first century, really. I’ll chill a bit, I think; try to be careful, try to be critical, and whatever I wear will always look silly ten years down the line.
That’s how I feel; it’s so a part of me, I can’t escape it. I cannot escape it; it’s just a reality. [ . . . ] If I could be something other than Christian, especially if it was something cooler than Christian, I would totally do that! I cannot escape that it feels like God rescued me through this particular symbol system, this one, even though I had problems with it in the way it was given to me in my upbringing. It’s a very recent idea in human history, that you can choose your own symbol system.
— Nadia Bolz-Weber on Fresh Air, 9/17/2015